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Why I sing

Josh Krugman | Bass
For those moments. Those moments right before the first note is played in concert, when a passage of music clicks in vocally during a rehearsal, when 80 voices finally come together, when your sound lines up perfectly and making music becomes effortless. I sing for those little moments that are personal and shared at the same time.


Providence Singers announces 2016-17 Fassett Fellows
Tenors Nathaniel de Vries and Jake Kane and sopranos Marykate McCutcheon and Danielle Plouffe have been named Fassett Fellows for the 2016-17 season of the Providence Singers. The Fassett Fellowships honor former Artistic Director Charles K. Fassett by helping talented young singers continue their choral interests.

For your calendar: Our 45th season

Requiem  |  October 14-15, 2016
The Providence Singers’ 45th season begins with the Mozart Requiem, a guest performance with the Rhode Island Philharmonic.
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Messiah  |  December 10, 2016
Christine Noel conducts the Rhode Island Philharmonic, Providence Singers, and soloists in the tenth annual December performance of Handel’s masterwork.
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Music for Chorus and Percussion  |  March 11-12, 2017
It’s not a combination that’s heard often: chorus with marimba, celesta, harp, fingersnaps, handclaps, bells, gong, and other percussion. The Singers will perform works by contemporary American composers Eric William Barnum, Dominick DiOrio, Dan Forrest, Eric Whitacre, and a new work by Michael Galib, the Singers assistant conductor. Leonard Bernstein’s Chichester Psalms and Charles Ives’ Psalm 90 complete the program.
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Music of Scandinavia and the Baltics  |  May 13-14, 2017
The Aurea Ensemble joins the Providence Singers to perform music of Ēriks Ešenvalds, Ola Gjeilo, Edvard Grieg, Leevi Madetoja, Wilhelm Peterson-Berger, and Jean Sibelius.The concert features six works by Gjeilo, including the world premiere of a work for chorus, piano and string quartet, commissioned by the Providence Singers through its Wachner Fund for New Music.
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A season extra: Our fourth studio recording
Dan Forrest’s Requiem for the Living, performed by the Singers in November 2014, made a lasting impression on chorus and audience alike. (His Sanctus — “Pleni sunt caeli” / “The heavens are full”) — drew inspiration from images taken by the Hubble telescope.) In January 2017, the Singers will head to Mechanics Hall in Worcester, Mass., to record the piece, for chorus and chamber orchestra.

Coming in January:
Rollo Dilworth to lead 2017 Young Men’s Choral Festival

Yes, Real Men Sing!® — and they get better at it every year. Rollo Dilworth, an internationally respected choral educator, composer, arranger and conductor, joins us as choral clinician.

The YMCF is a single, jam-packed day of music, camaraderie, pizza, and performance for choral young men in grades eight through twelve — with continuing education opportunities for choral educators and conductors. Friday, Jan. 20, 2017, from 1 to 8 p.m. on the campus of Rhode Island College.   More about YMCF

Recordings of the Providence Singers

Lou Harrison: La Koro Sutro
Our friends at the Boston Modern Orchestra Project completed a successful Kickstarter campaign and brought Lou Harrison’s music to market. BMOP paired the Singers’ recording of La Koro Sutro with Harrison’s Suite for Violin and American Gamelan to make an extraordinary CD, released in July 2014. Program Notes  |  Read the Globe’s review

Dominick Argento: Jonah and the Whale
Jonah was a difficult prophet. He tried to wriggle out of divine assignments and whined loudly enough to annoy even God. Dominick Argento used medieval poetry, the Book of Jonah and other sources to prepare the libretto for this composition. More ...

Lukas Foss: The Prairie
Lukas Foss fled Nazi Germany with his family – first to Paris in 1933 and then to the United States in 1937. He was 15 when he arrived in Philadelphia to begin his studies at the Curtis Institute. Foss embraced his new homeland – “... as a boy of 15, I fell in love with America,” he said – becoming a U.S. citizen in 1942. He found Carl Sandburg’s poem when he was 19 and began almost immediately to set it to music, adapting it himself without a librettist. The Singers loved it as well. More ...