Why I sing
Myles Glatter | Bass
Music has always been an important part of my life. My father, who led a jazz band in the forties, loved jazz and classical music, and everyone in my family played an instrument. Choral music became my passion during high school, and I have been singing ever since. Making music with other people is one of my greatest sources of joy, and a great way for me to relax.
Online choral workshops with the Providence Singers
When we began online rehearsals in the fall, the members schedule included a series of six workshops on music theory, voice training, sight-singing and ear training. Those workshops, led by the Providence Singers artistic staff and local voice teachers, are also open for public registration. All sessions begin at 7 p.m. on Tuesday evenings. Available sessions include:
- Tuesday, December 8 Music Theory Level 2 with John Black
- Tuesday, December 15 Sight-Singing and Ear Training Level 2 with Christine Noel
Tuition, included in current member dues and complimentary for emeriti/ae members, is $5 for any single session.
More information about the workshops is available at the Singers registration site.
- One-click entry to all online sessions is available on the calendar.
- Our original concert recording of Westminster Bridge is available to Singers for download or listening.
This is provided for rehearsal use only. Please do not share, post, or distribute.
Franz Biebl: Ave Maria
The Singers first performed music of Franz Biebl in the spring of 2015. His Ave Maria, composed in 1964, was popularized years later by Chanticleer and became the best-known of what Biebl described as his “little songs.” The Singers found, as the composer Wilbur Skeels observed, that “there is nothing ‘little’ about the quality of [Biebl’s] compositions.” Artistic Director Christine Noel has edited individual recordings of 68 singers into a new virtual choir performance.
Listen to it now on our YouTube channel.
You can also read the program notes and text.
The Wound in the Water
In May 2019 the Providence Singers presented Kim André Arnesen’s deeply moving 2016 work, The Wound in the Water. Using a libretto by the Welsh poet Euan Tait, Arnesen explores human exile, separation from a beautiful world, and diminished capacity for love, then points to a way forward, aiming at a shared song and the healing power of music.
The Singers now offers that work online, recorded in concert with a chamber orchestra, the first online offering of the season.
Listen to it now on our YouTube channel.
You can also read the program notes and text
Choral performance at a safe social distance
On Saturday, March 28, the Providence Singers and 300 patrons were to gather on the 17th floor of the Biltmore Hotel for a festive gala performance of music from the Broadway stage. That was not to be, of course, but a small group of members has produced a “Virtual Choir” performance of “Somewhere” from Leonard Bernstein’s West Side Story.
Enjoy it now.
Recordings of the Providence Singers
Dan Forrest: Requiem for the Living
Dan Forrest’s Requiem for the Living proved to be a powerful work in performance for both singers and listeners. He wrote it in 2013. The Providence Singers performed it in November 2014, together with three Bach motets. Little more than two years after the concert, the Singers had finished its initial Kickstarter campaign, raised additional funds, and booked a recording session at Mechanics Hall in Worcester. The CD was released December 5, 2017.
Notes and text | Download at iTunes | Amazon | Google Play
Lou Harrison: La Koro Sutro
La Koro Sutro, sung entirely in Esperanto and accompanied by an American gamelan — built for performances in Boston and Providence by our friends at the Boston Modern Orchestra Project — was exotic, immediately engaging, and unlike anything the Singers had encountered before or performed since. BMOP paired the Singers’ recording of La Koro Sutro with Harrison’s Suite for Violin and American Gamelan to make an extraordinary CD, released in July 2014. Program Notes | Read the Globe’s review
Dominick Argento: Jonah and the Whale
Jonah was a difficult prophet. He tried to wriggle out of divine assignments and whined loudly enough to annoy even God. Dominick Argento used medieval poetry, the Book of Jonah and other sources to prepare the libretto for this composition, preserving ancient alliterations and a great deal of wit and charm: “Even the casual listener will notice that the whale (the trombone solo in the Intermezzo section) gets the best tune in the work. And this is as it should be since I consider the whale, not Jonah, to be the hero of the piece.” Notes on the work ...
Lukas Foss: The Prairie
Lukas Foss fled Nazi Germany with his family – first to Paris in 1933 and then to the United States in 1937. He was 15 when he arrived in Philadelphia to begin his studies at the Curtis Institute. Foss embraced his new homeland – “... as a boy of 15, I fell in love with America,” he said – becoming a U.S. citizen in 1942. He found Carl Sandburg’s poem when he was 19 and began almost immediately to set it to music, adapting it himself without a librettist. The Singers loved it as well. Notes and composer’s commentary ...