A Night at the Opera
Saturday, May 11, 2024
7:00 PM
McVinney Auditorum
PROGRAM
Chorus of Wedding Guests (Lucia di Lammermoor), Donizetti.
March of the Toreadors (Carmen), Bizet
Polovtsian Dances (Prince Igor), Borodin
Chorus
Musetta’s Waltz (La Boheme), Puccini
Chelsea Basler, Soprano
Easter Hymn (Cavalleria Rusticana), Mascagni
Chelsea Basler and chorus
Sous le dome épais (Lakme), Delibes
Chorus sopranos and altos
Anvil Chorus (Il Trovatore), Verdi
Chorus
Casta Diva (Norma), Bellini
Chelsea Basler and chorus
INTERMISSION
Rataplan (La Forza del Destino), Verdi
Chelsea Basler and chorus
Bridal Chorus (Lohengrin) Wagner
Chorus
Ain’t it a pretty night (Susannah), Floyd
Chelsea Basler, Soprano
Triumphal Scene (Aida), Verdi.
Va Pensiero (Nabucco), Verdi
Chorus
O Mio Babbino Caro (Gianni Schicchi), Puccini
Chelsea Basler, Soprano
A Real, Slow Drag (Treemonisha), Joplin
Chelsea Basler and chorus
Grammy Award-nominated soprano Chelsea Basler continues to make her mark on an extensive array of operatic roles with her unique combination of vocal appeal and artistry. Praised for her "luminous voice" with its "easy soaring range," she has been noted for her "wonderful acting" and declared "simply superb" by Opera Today. In the spring of 2019, Ms. Basler appeared with the Boston Lyric Opera as Moira in Poultries Ruder's The Handmaid's Tale and made a company debut with Boston Midsummer opera as Clorinda in La Cenerentola. In the fall of 2019, Ms. Basler joined the Metropolitan Opera roster, covering Pousette in Manon. Her other roles include Micaëla in Carmen, the High Priestess in Aida, Valencienne in The Merry Widow, Glasha in Katya Kabonova, and the title role of Carlisle Floyd's Susannah.
This will be Ms. Basler's third appearance with the Providence Singers, the most recent being the soprano solo in Brahm's Requiem in November 2021. Her stunning performance in Kim André Arensen's choral symphony The Wound in the Water can be heard on the Providence Singer's YouTube channel.