“... a stunning performance ... with the crack Providence Singers joining the orchestra”
Channing Gray
Providence Journal
18 November 2018
(Vaughan Williams’ Dona Nobis Pacem)


Samuel Stennett (1727–95)

Samuel Stennett

The Promised Land  (1787)

Arranged by Daniel McDavitt (2011)

“[American evangelicals] transformed the text into earthly and vital metaphors of the vision, vigor, enthusiasm, and optimism of frontier life moving on to the promised land of Kentucky or Missouri.”

— Carlton R. Young
Editor, United Methodist Hymnal

Although he was prominent among ministers who dissented from the Church of England, Samuel Stennett was a friend and supporter of King George III. For ten years, he served as assistant minister to his father at the Little Wild Street Church in London and continued as pastor there for 37 years after his father’s death. He was well-known for his writings in support of dissenters and for his contributions to hymnody.

Stennett’s The Promised Land has found a number of different homes over nearly two and a half centuries. It was first published as an eight-stanza hymn under the category “Heaven Anticipated” in Rev. John Rippon’s influential 1787 A Selection of Hymns from the Best Authors. Thirty-eight of Stennett’s hymns appeared in Rippon’s collection.

The hymn quickly found its way to the New World, where its description of a perfectly glorious afterlife awaiting the earthbound faithful was very popular among American Methodists and a favorite in camp meetings. In 1835, it was included in The Southern Harmony and Musical Companion, set to a shaped-note tune attributed to Matilda Durham. An arrangement by Rigdon M. McIntosh in 1895, changed the tune from minor to major and added the refrain, creating a standard setting carried in many hymnals today. Stennett’s text has been set to a number of different melodies. The Sacred Harp, for example, offered seven.

Daniel McDavitt is assistant professor of music and director of choral activities at Goucher College in Towson, Maryland. He prepared this setting of The Promised Land for the Brigham Young University Concert Choir. McDavitt earned his Bachelor of Arts in music and a Master of Music in choral conducting from Brigham Young University, and he holds a Doctor of Musical Arts in choral conducting and literature from the University of Illinois at Urbana-Champaign.

The Promised Land
Samuel Stennett, arranged by Daniel McDavitt

On Jordan’s stormy banks I stand and cast a wishful eye,
To Canaan’s fair and happy land, where my possessions lie.

O, the transporting rapt'rous scene that rises to my sight!
Sweet fields arrayed in living green and rivers of delight.

    I am bound for the promised land. I am bound for the promised land.
    Oh, who will come and go with me? I am bound for the promised land.

There gen’rous fruits that never fail on trees immortal grow;
There rocks and hills and brooks and vales with milk and honey flow.


O’er all those wide extended plains shines one eternal day;
There God the Son forever reigns and scatters night away.

No chilling winds or pois’nous breath can reach that healthful shore;
Sickness and sorrow, pain and death are felt and feared no more.


When I shall reach that happy place I’ll be forever blest,
For I shall see my Father’s face and in his bosom rest!

Filled with delight, my raptured soul would here no longer stay.
Though Jordan’s waves around me roll, fearless I’d launch away.